36 Plot Ideas for your Novel

Jill Williamson is a chocolate loving, daydreaming, creator of kingdoms. She writes weird books for teens in lots of weird genres like, fantasy (Blood of Kings trilogy), science fiction (Replication), and dystopian (The Safe Lands trilogy). Find Jill on Facebook, Twitter, Pinterest, or on her author website.

Looking for fresh plot ideas? Well... there probably aren't any. And that's not necessarily a bad thing. As I've said before, there are no new ideas, just fresh ways of writing them.

The book, Thirty-Six Dramatic Situations by Georges Polti, gives thirty-six basic plots for all stories. According to Wikipedia, "The original French-language book was written in the 19th century. An English translation was published in 1916 and continues to be reprinted to this day."

This is really old and interesting information. I've listed Polti's plots below and given a brief description of each. I also tried to give a movie or book reference to help you get a visual example, but I wasn't always able to because some plots are more popular than others.

If you've got an idea for a story but are stuck on how to include a strong plot, perhaps these thirty-six plot ideas will inspire you.

1. Supplication: A persecutor, a supplicant, or power in authority who struggles to make a decision whether or not to do something. Usually, an unfortunate person appeals to an authority figure for help. The authority figure is the protagonist. Ex: The Rock; The Untouchables; Three Amigos.

2. Deliverance: The unfortunate, threatener, rescuer. Here the rescuer helps the unfortunate person without being asked. Ex: The Terminator; Speed.

3. Crime Pursued by Vengeance: An avenger, a criminal. This is your basic mystery or detective story. The protagonist is out to find the truth. Ex: Lethal Weapon; Die Hard; James Bond.

4. Vengeance for Kin Upon Kin: Avenging relative(s), a guilty relative(s), relative(s) of victim. Ex: The Lion King.

5. Pursuit: A punished person, a fugitive. The protagonist is the fugitive, often wrongfully accused. Ex: Les Miserables; The Fugitive.

6. Disaster: A vanquished power, a victorious enemy, or a messenger. The powerful are overthrown by the weak. Ex: Armageddon; Sydney White.

7. Falling Prey to Cruelty or Misfortune: An unfortunate, a master, or a misfortune. Ex: Schindler’s List; The Color Purple.

8. Revolt: A tyrant, a conspirator. Ex: Swing Kids; The Matrix.

9. Daring Enterprise: A bold leader, an object to be won, an adversary to be beaten. Ex: Saving Private Ryan; Men in Black.

10. Abduction: An abductor, the abducted, a guardian. The protagonist can be the abducted or the abductor. Ex: Ransom; A Life Less Ordinary.

11. The Enigma: An interrogator, a seeker, a problem. The protagonist could be seeking a person or thing. Ex: Seven; National Treasure.

12. Obtaining: A solicitor and an adversary who is refusing, or an arbitrator and opposing parties. At what cost and by what means will the protagonist act in trying to obtain his goal? Ex: Green Eggs and Ham; Outbreak.

13. Enmity of Kin: A malevolent kinsman, a hated or a reciprocally hating kinsman. The closer the relationship, the greater the conflict that divides them, the greater the resulting hate. Example: Kramer vs. Kramer; Corky Romano.

14. Rivalry of Kin: The preferred kinsman, the rejected kinsman, the object of their rivalry. Ex: Legends of the Fall; A League of Their Own.

15. Murderous Adultery: Two adulterers, a betrayed spouse. Ex: Dangerous Liaisons; Diabolique.

16. Madness: A madman, a victim. Ex: The Shining; Psycho.

17. Fatal Imprudence: The imprudent or rash. The protagonist causes his own misfortune (or the misfortune of those he cares about) through his rash behavior, often to seek someone or something lost, or to settle his curiosity about something. Ex: Meet the Parents; Monty Python and the Holy Grail.

18. Involuntary Crimes of Love: A lover, a beloved, a revealer. The protagonist may fall in love with a relative, a relative’s spouse, a teacher/student, his employer, someone who is planning to rip him off but he doesn't know it, or maybe just an adulterous relationship. He may walk into the relationship willingly, knowing that it is wrong, or he may not know. Sometimes the reader may know the truth when the hero doesn't.

19. Slaying of Unrecognized Kinsman: The slayer, an unrecognized victim. The plot focuses on the protagonist planning to kill his kinsman without knowing his enemy is related to him.

20. Self-Sacrificing for an ideal: A hero, an ideal, or a thing sacrificed. Here the protagonist gives up everything for his ideal. Ex: The Messenger.

21. Self-Sacrifice for Kindred: A hero, a kinsman, a person, or a thing sacrificed. Here the protagonist gives up everything for a kinsman. Ex: Cyrano de Bergerac; The Passion of the Christ.

22. All Sacrificed for a Passion: A lover, an object of fatal passion, a person, a thing sacrificed. The protagonist sacrifices everything for his passion. This could be an addiction, a lover, or money. Ex: Leaving Las Vegas.

23. Necessity of Sacrificing Loved Ones: A hero, a beloved victim, the necessity for sacrifice. The protagonist is forced by necessity to sacrifice a loved one.

24. Rivalry of Superior and Inferior: A superior rival, an inferior rival, the object of rivalry. Ex: Rocky; Karate Kid.

25. Adultery: A deceived husband or wife, two adulterers. Ex: Bridges of Madison County.

26. Crimes of Love: The lover, the beloved. The protagonist commits a crime because of his love. Ex: Chinatown (incest), The Apostle (murder), Saving Grace (incest & murder).

27. Discovery of a Loved One’s Dishonor: A discoverer, the guilty one. The protagonist is caught in a sin toward their loved one or they catch their loved one in a dishonorable act. Shame is key. Ex: The novel Redeeming Love by Francine Rivers.

28. Obstacles to Love: Two lovers, an obstacle. Some great obstacle stands in the way of two lovers being together. Ex: Kate & Leopold; Ever After.

29. An Enemy Loved: A lover, the beloved enemy, the hater. The protagonist falls in love with an enemy. Ex: Twilight; Romeo and Juliet.

30. Ambition: An ambitious person, a thing coveted, an adversary. Ex: Jerry McGuire; That Thing You Do.

31. Conflict with a God: A mortal, an immortal. Most Greek myths focus on this plot. Ex: Hercules; Rosemary’s Baby, Bruce Almighty.

32. Mistaken Jealousy: A jealous one, an object of jealousy, a supposed accomplice, a cause or author of the mistake, a traitor. Ex: Othello; The Hand That Rocks the Cradle.

33. Erroneous Judgment: a mistaken one, a victim of the mistake, a cause or author of the mistake, a guilty person. The protagonist may be falsely accused or accuse another without proof or be guilty and try to frame another. Ex: The Green Mile, Shawshank Redemption.

34. Remorse: A culprit, a victim, the sin, an interrogator. Also false guilt.

35. Recovery of a Lost One: The seeker, the one found. The protagonist may find a lost loved one, a lost child. Ex: The Man in the Iron Mask, The Deep End of the Ocean.

36. Loss of Loved Ones: A kinsman slain, a kinsman spectator, an executioner. Ex: Love Story, Return to Me.

When you look at example 35, Recovery of a Lost One, you can see how different two stories can be even with the same basic plot. The Man in the Iron Mask is a renaissance story of a brother hiding his twin so that his rule could not be threatened. The Deep End of the Ocean is about a kidnapped child being found years later. With example 13, Enmity of Kin, Kramer v. Kramer is the story of a legal battle over child custody, whereas Corky Romano is a comedy about a cop going after his mob family.

So when you’re thinking of your plot, think of the characters you have already designed and your basic premise. Your plot doesn't need to match any of these examples to a T. These are simply starting points. Use them to spark ideas. You could base the plot around a single character or a group of characters. Maybe instead of murder, your character might plot the murder, then not go through with it. Or instead of family members, you could substitute best friends in some of the kinsmen examples. You could also combine some of these plot ideas into your story. The opportunities are only limited by your imagination.

Do you see the plot of your work in progress here? What is it?