Jill Williamson is a chocolate loving, daydreaming, creator of kingdoms. She writes weird books for teens in lots of weird genres like, fantasy (Blood of Kings trilogy), science fiction (Replication), and dystopian (The Safe Lands trilogy). Find Jill on Facebook, Twitter, Pinterest, or on her author website.
At a writing conference this past fall, I took a class called Tight Writing from Brandilyn Collins. Everyone who signed up was asked to submit the first few pages of a work in progress. Brandilyn would select some to edit in front of the class. One of the ones she picked was mine.
I was so excited.
I learned a lot from this, and I wanted to let you take a look so that you could see what she did. Now, keep in mind that Brandilyn is a suspense author, so she writes very tightly. But my opening chapter of Outcasts is very suspenseful and I valued her input. She edited more than this, but for the post, I just used the first few chapters.
Brandilyn's main point in the class: "You want your readers to feel your scene, not read your scene." By that she meant to purposely craft each sentence to give the emotional rhythm that you want your reader to feel. So, long sentences for relaxed, pondering scenes. And short ones for tense, stressful scenes. And to remember to make ever word count. Too many words decreases tension in a scene.
So here is a series of intros for Outcasts. First is the version I turned it to Brandilyn.
I was so excited.
I learned a lot from this, and I wanted to let you take a look so that you could see what she did. Now, keep in mind that Brandilyn is a suspense author, so she writes very tightly. But my opening chapter of Outcasts is very suspenseful and I valued her input. She edited more than this, but for the post, I just used the first few chapters.
Brandilyn's main point in the class: "You want your readers to feel your scene, not read your scene." By that she meant to purposely craft each sentence to give the emotional rhythm that you want your reader to feel. So, long sentences for relaxed, pondering scenes. And short ones for tense, stressful scenes. And to remember to make ever word count. Too many words decreases tension in a scene.
So here is a series of intros for Outcasts. First is the version I turned it to Brandilyn.
Prologue
July 2088
Almost there.
Kendall strode around the curve of
Belleview Drive and fixed her gaze on the messenger sign at the end of the
block. The flying white envelope on a red circle flickered in the night.
She wanted to run—to at least jog—but
held back, forcing her legs to keep their long strides, swinging her arms, and
breathing in the mixed scents of dryer sheets and waffle cones from the
Belleview Laundry on her right and the Cinnamonster ice cream shop across the
street.
Barely four weeks had passed since she’d
given birth in the Surgery Center, and Kendall’s medic had told her to wait at
least six weeks before doing serious exercise. So Kendall
walked—everywhere—determined to firm up the wrinkled skin of her abdomen,
determined to look normal again, determined to forget.
The medic had also advised that Kendall
wait to return to work until the six weeks had passed, but the loneliness of
staying home with her depressing thoughts and the worry over the task director
general’s summons—and no baby to hold—had been too much. Kendall had begged
Tayo to let her come back to the messenger office early.
But even the cool night air couldn’t
keep Kendall’s thoughts from the summons. She had no way of knowing if the task
director truly had business to discuss or if this was another one of the
Creature’s games.
What could he possibly want now? He had
taken everything from her. She had served her term in the harem and had given
the ultimate sacrifice, so this couldn’t be a surrogacy request. Safe Lands
customs said she deserved a two-year reprieve for her service to the nation.
No, she felt certain this summons was of a personal nature.
And here is Brandilyn's edit of my first few paragraphs. She edited in Track Changes, so what she deleted appears in strikethrough, and what she added is underlined.
And here is Brandilyn's edit of my first few paragraphs after I accepted all her changes. See how much shorter it is?
And here is my rewrite in the end. I took some of Brandilyn's advice, but I needed some of what she cut because I was planting clues. And in a few places, I just liked the way I worded things better. Whenever you get an edit, you need to weight each item carefully. And I wanted to make sure I kept my own voice. This is how it now appears in the book.
What do you think of this type of editing? Can you see how Brandilyn cut unnecessary words from my writing and tried to use rhythm to create an emotion? Think you can do it as you go back to edit your work?
And here is Brandilyn's edit of my first few paragraphs. She edited in Track Changes, so what she deleted appears in strikethrough, and what she added is underlined.
Prologue
July 2088
Almost there.
Kendall strode around the curve of
Belleview Drive and fixed her gaze on the messenger sign at the end of the
block. The flying white envelope on a red circle flickered in the night.
She wanted to jogrun —to
at least jog—but held back, forcing her legs into to keep their
long strides. Kendall swung, swinging her arms,
and breatheding in the mixed scents of dryer sheets and
waffle cones from the Belleview Laundry on her right and the Cinnamonster
ice cream shop across the street.
Barely four weeks had passed since she’d
given birth in the Surgery Center. , and Kendall’s medic had told
her to wait at least six weeks before doing serious exercise. So Kendall walked
—everywhere, —determined to firm up the wrinkled skin
of her abdomen, determined to look
normal again. D, determined to forget.
She wasn’t supposed to work for six
weeks either. But
The medic had also advised that Kendall wait to return to work until the six
weeks had passed, but the loneliness of staying home with her depressing
thoughts and the worry over the task director general’s summons—and no baby
to hold —proved had been too much. SheKendall
had begged Tayo to let her come back to the messenger office early.
Kendall picked up her pace. But even the
cool night air couldn’t keep Kendall’s thoughts from the summons. She had no
way of knowing if the task director truly had business to discuss or if this
was another one of the Creature’s games.
What could the task director
possibly want now now? He’ had taken
everything from her. She’ had served her term in the harem,
and had given the ultimate sacrifice. T, so this couldn’t be
a surrogacy request. Safe Lands customs said she deserved a two-year reprieve
for her service to the nation
This summons had to be personal.. No, she felt
certain this summons was of a personal nature.
Prologue
July 2088
Almost there.
Kendall strode around the curve of
Belleview Drive and fixed her gaze on the messenger sign at the end of the
block. The flying white envelope on a red circle flickered in the night.
She wanted to jog but held back, forcing
her legs into long strides. Kendall swung her arms and breathed in the scents
of dryer sheets and waffle cones from the Belleview Laundry and Cinnamonster
ice cream shop.
Barely four weeks had passed since she’d
given birth in the Surgery Center. Kendall’s medic had told her to wait at
least six weeks before doing serious exercise. So Kendall walked everywhere, determined
to firm up her abdomen, look normal again. Determined to forget.
She wasn’t supposed to work for six
weeks either. But staying home with no baby to hold proved too much. She had
begged Tayo to let her come back to the messenger office early.
Kendall picked up her pace. What could the
task director want now? He’d taken everything from her. She’d served her term
in the harem, had given the ultimate sacrifice. This couldn’t be a surrogacy
request. Safe Lands customs said she deserved a two-year reprieve for her
service to the nation
This summons had to be personal.
Prologue
July 2088
Almost
there.
Kendall
strode around the curve of Belleview Drive and fixed her gaze on the messenger
sign at the end of the block. The flying white envelope on a red circle
flickered in the night.
She wanted
to run—to at least jog—but held back, forcing her legs into long strides.
Kendall swung her arms and breathed in the scents of dryer sheets and waffle
cones from the Belleview Laundry and Cinnamonster ice cream shop.
Barely four
weeks had passed since she’d given birth in the Surgery Center, and only two
since she’d moved out of the harem and back to the Midlands. Kendall’s medic
had told her to wait at least six weeks before doing serious exercise. So
Kendall walked everywhere, determined to firm up her abdomen, look normal
again. Determined to forget.
She wasn’t
supposed to work for six weeks, either. But staying home with no baby to hold …
Add to that her depressing thoughts, worry over the girls from Glenrock, and
the task director general’s summons—it had been too much. She’d begged Tayo to
let her come back to the messenger office early.
Kendall
picked up her pace. What could the task director want now? He’d taken
everything from her. She’d served her term in the harem, had given the ultimate
sacrifice. This couldn’t be a surrogacy request. Safe Lands customs said she
deserved a two-year reprieve for her service to the nation.
This summons
had to be personal.
What do you think of this type of editing? Can you see how Brandilyn cut unnecessary words from my writing and tried to use rhythm to create an emotion? Think you can do it as you go back to edit your work?
I'm not to line edits yet, but I'm getting there and these were great examples! Totally understood :) Thanks!
ReplyDeleteGlad they helped! :-)
DeleteThis is really interesting. But do you think added words can help with author voice? That's one thing I worry about when I'm cutting into my manuscript for revision. I'm worried that if I make every sentence as slim as possible, I'll cut out my voice.
ReplyDeleteThanks for the great post!
~Sarah Faulkner
inklinedwriters.blogspot.com
Sometimes, yes. I take that into consideration as I'm cutting. Sometimes I want to keep the line as is for the character's voice more than I want to trim words. Most the time I trim, though.
DeleteHuh. I never saw that kind of editing before. I'll have to try it out. Thanks!
ReplyDeleteOh yeah, I noticed that Outcasts release date on Amazon had been switched to Jan 7. Why do they keep changing it? It went from like Nov 25 to Dec 17 to Jan 7.
DeleteI know! They're torturing me. :-( This date is for sure, though. I have some ARCs in my house to prove it!
DeleteThis was a very interesting post. I tend to write very tight, and I am always checking myself, "Does this still work?" It's odd though because I'm also a very tight painter. In fact, my work is so tight, my art instructor gets a headache watching me painstaking paint every single brick of an alley wall : )
ReplyDeleteOne thing I work towards in my writing is to make it as tight as needed while following a natural thought process.
Wow, that's awesome. I haven't edited yet, but I'm going too. I need to go through and reread all these editing posts. I see there are seventy of them in editing label? Whoa. That should help me a bunch as I prep for the edit of the first draft!
ReplyDeleteWow. I guess we like writing about editing over here! LOL
DeleteOohh, yes! I love what she did! Especially how she cuts out the Laundry "On the right" and the ice cream parlor "across the street". Thanks for the post!
ReplyDeleteI edit so many times over. The first time I fill in all the gaps, which ups my word count, then after maybe 2-3 of those ADDING edits, I start cutting. Tightening my writing is my favorite and least favorite part. It's tedious, but it makes my stories SO much better. Great post!
ReplyDeleteTightening my work has been something I've learned recently. Before, I knew virtually nothing of it.
ReplyDeleteThough I'm currently focusing on the idea of keeping the plot moving, I've been learning some bits about tightening the actual prose as well.
Aha. Very interesting. I'll need to look out for this. Pacing, for me, is something I never seem to get right on the first try. Second drafts sound miles better. Thanks, Jill!
ReplyDeleteI might be able to, if I can force myself to d it. UGH. This is really cool, Jill! Thanks for sharing!! :D
ReplyDeleteMy English teacher did the same thing as Brandilyn, but with our thesis statements. She edited about ten in front of the class, and mine was one of them. It was hard to see her slash out my words, but in the end, it was so much stronger.
ReplyDeleteCool!
ReplyDeleteGlad it was helpful, guys! :-)
ReplyDeleteThis is something I've struggled with a lot in my own writing. One resource that helped me a ton was the book Write Tight by William Brohaugh. Fantastic resource.
ReplyDelete