In screenwriting, the "set-up" of a movie usually happens in the first ten pages of a script. This is where the writer must hook the reader. The set-up should show who the main character is, what's at stake in this tale, and give the story goal. If you can, it's also important to introduce your main players during the set-up.
This is also where the writer will show how the main character is flawed, so that these areas can be overcome by the end of the story. In Blake Snyder's awesome screenwriting book, Save the Cat, he shares a phrase he invented for these flaws that will be overcome. He calls them: Six Things That Need Fixing.
Does he mean six exactly? No. But this is a list of things that you will show your hero overcoming during the course of the story. In movies, these things are first shown in the set-up, then, through the movie, we see them again and again, often causing mayhem.
This is also where the writer will show how the main character is flawed, so that these areas can be overcome by the end of the story. In Blake Snyder's awesome screenwriting book, Save the Cat, he shares a phrase he invented for these flaws that will be overcome. He calls them: Six Things That Need Fixing.
Does he mean six exactly? No. But this is a list of things that you will show your hero overcoming during the course of the story. In movies, these things are first shown in the set-up, then, through the movie, we see them again and again, often causing mayhem.
You can come up with a list of character flaws or problems in a
number of ways. Take into account your character’s life in the past (backstory),
present (story situation), and future (story goals/life goals). Take into
account what’s at stake in the story—what is he risking? And take into account
his attributes and behaviors (looks, friends, habits, quirks, hobbies,
personality, and lifestyle).
Here are some examples from two movies I love. I tried to find Six
Things That Need Fixing about each character and show you how those things were
turned around by the end of the movie.
In the movie Miss
Congeniality, Gracie Hart is just one of the guys. She is 1. nerdly, 2. socially
awkward, 3. has no manners, 4. has no real friends, 5. is considered ugly by
the men in her life, and 6. is a klutz.
In the movie we see hysterical and sad scenes that display these
attributes. We see the guys at the precinct make fun on her. We see her eating
alone at home. We see her snort when she laughs. We see that she can’t walk in
high heels. We see her trip and drop things.
But as the movie goes on, we see her transform. This wasn’t her
idea—at first. It was all for the case, which is really the only reason she’d
submit to such ministrations. And this is brilliant storytelling because her desire
to do her job forces her to do something she would never do: get all pretty and
join a beauty pageant.
And so we see how beautiful she really is. We see her learn
manners and grace. We see her make real friends, and we even see the men in her
life start to take notice—turns out she’s female! Who knew?
In the movie Home Alone,
young Kevin McAllister is the runt of the family. He is 1. too little, 2. helpless,
3. hates his family, 4. gullible, 5. annoying, 6. afraid of the furnace in the
basement.
In the movie we see how his family treats him. We see his uncle
tell him he’s too little to watch the scary movie. We see his brother call him
names like trout sniffer and pretend to barf up the last piece of cheese pizza.
We see his sister Linnie tell him that he’s completely helpless—what the French
call les incompetents. We see him
fall for his brother’s story about Old Man Marley killing people, we see him
pester his mother, and we see his fear of the furnace.
But as the movie rolls, we see him face his fears. At first he
thinks he got his wish, and he sets off to do all the things he wanted like eat
junk for dinner, watch the scary movie, jump on his parents’ bed, use his dad's shaving lotion, and look through his brother’s private things.
But as time goes on, he transforms. We see him tell that furnace
to “shut up.” We see him do laundry, go shopping, and cook meals. He learns
that Old Man Marley is a nice guy, makes friends with him, and gives him advice. We see him missing his family and
wishing them back. And he also protects his home from those dastardly burglars
too.
You can use this same technique in your storytelling. Give your
character Six Things That Need Fixing. Show us those things at the start of the
story. Where is your character in his journey? Then show us how he starts to face those issues head on and become the
hero he needs to be.
Does your protagonist have Six Things That Need Fixing? Name some.
Thanks for the post! I never seen this before, so this is helpful.
ReplyDeleteHome Alone is a classic!
You're welcome, Samuel! :-)
DeleteMy protagonist needs to move on from the past, stop seeking revenge, realize that he is strong, stop relying on others, believe in himself, and embrace who he was born to be.
ReplyDeleteSounds like a good list, Skye!
DeleteI love this, Jill! I'll be mulling this over all afternoon :)
ReplyDeleteThanks, Steph! It always looks so great when you see those types of examples above. But it does take a lot of mulling to come up with such a list and all the payoffs. I'll be mulling myself soon.
DeleteOooh! This is awesome! Let's see if I can name 6 things to fix:
ReplyDeletescared of the future, afraid of deep relationships, wishful that her past would have been different, has low highs and really low lows, is too daring in her hopes, and often misjudges people.
I'm going to put this on a sticky note where I can always see it! :)
Nice list! And good idea with the sticky note. :-)
DeleteThis is so neat! My MC one: needs to realize that she doesn't always have to take care of others, two: that being taken care of is okay, three: that friendship is beneficial, four: that believing in the impossible is great, five: that romance isn't a waste of time, and six: that she is unique.
ReplyDeleteGood list, Christian!
DeleteThis is really great! I've figured out my character's lie and what she needs to learn by the end of the story, but I love the idea of splitting her development into six things that need fixing. It makes the concept seem more attainable. Thanks for the tip :)
ReplyDeleteLet's see if I can do this.
ReplyDeleteElric's Six Things That Need Fixing. 1. No one thinks he can be king. 2. He fears his father. 3. He doubts himself. A LOT. 4. He isn't very good with weapons. 5. Socially awkward. 6. Makes the perfect candidate for kidnapping for ransom. (I'm not sure if these are very good, but they were what I could come up with at this late hour. :P)
great post. my MC is 1. socially awkward 2. believes she's a freak 3. is scared to get close to anyone 4. has a hard time trusting people 5. hates her father 6. gets motion sick really easily
ReplyDeleteMy MC is 1. Not caring for other people, 2. Selfish, 3. Lives for the day, 4. Does not return friendship, 5. Holds on to wrongs that others have committed, 6. Does not help willingly
ReplyDeleteThis was a great post! My character is 1. scared of getting close to people. 2. not trusting. 3. a bit selfish, thinking more of his own feelings and not considering others' as much. 4. believes he's an ugly freak. 5. holds too tightly to his past. 6. needs to believe that love has power and that he can be loved.
ReplyDeleteThis was very helpful! It really helped me flesh out my MC!
ReplyDeleteMy MC is: 1. afraid of change (a.k.a. leaving his home), 2. doesn't know his past (that is affecting his throughout), 3. has conflicting feelings about the 'new girl', 4. doesn't want to get involved (scared of the government and their plans), 5. is 14 (too young for people to trust his judgement) & 6. has no battle experience (he's a baker).